A Light Song of Light by Kei Miller Summary
Kei Miller's work was acclaimed by the distinguished Jamaican writer Olive Senior as 'Some of the most exciting poetry I've read in years... An extraordinary new voice singing with clarity and grace.' A Light Song of Light sings in the rhythms of ritual and folktale, praise songs and anecdotes, blending lyricism with a cool wit, finding the languages in which poetry can sing in dark times. The book is in two parts: Day Time and Night Time, each exploring the inseparable elements that together make a whole. Behind the daylight world of community lies another, disordered, landscape: stories of ghosts and bandits, a darkness violent and seductive. At the heart of the collection is the Singerman, a member of Jamaica's road gangs in the 1930s, whose job was to sing while the rest of the gang broke stones. He is a presence both mundane and shamanic. Kei Miller's poems celebrate 'our incredible and abundant lives', facing the darkness and making from it a song of the light.
The Song of Names (Movie Tie-In Edition) by Norman Lebrecht Summary
Now a major motion picture Martin Simmonds' father tells him, "Never trust a musician when he speaks about love." The advice comes too late. Martin already loves Dovidl Rapoport, an eerily gifted Polish violin prodigy whose parents left him in the Simmonds's care before they perished in the Holocaust. For a time the two boys are closer than brothers. But on the day he is to make his official debut, Dovidl disappears. Only 40 years later does Martin get his first clue about what happened to him. In this ravishing novel of music and suspense, Norman Lebrecht unravels the strands of love, envy and exploitation that knot geniuses to their admirers. In doing so he also evokes the fragile bubble of Jewish life in prewar London; the fearful carnival of the Blitz, and the gray new world that emerged from its ashes. Bristling with ideas, lambent with feeling, The Song of Names is a masterful work of the imagination.
Reverberating Song in Shakespeare and Milton by Asst Prof Erin Minear Summary
In this study, Erin Minear explores the fascination of Shakespeare and Milton with the ability of music–heard, imagined, or remembered–to infiltrate language. Such infected language reproduces not so much the formal or sonic properties of music as its effects. Shakespeare's and Milton's understanding of these effects was determined, she argues, by history and culture as well as individual sensibility. They portray music as uncanny and divine, expressive and opaque, promoting associative rather than logical thought processes and unearthing unexpected memories. The title reflects the multiple and overlapping meanings of reverberation in the study: the lingering and infectious nature of musical sound; the questionable status of audible, earthly music as an echo of celestial harmonies; and one writer's allusions to another. Minear argues that many of the qualities that seem to us characteristically 'Shakespearean' stem from Shakespeare's engagement with how music works-and that Milton was deeply influenced by this aspect of Shakespearean poetics. Analyzing Milton's account of Shakespeare's 'warbled notes,' she demonstrates that he saw Shakespeare as a peculiarly musical poet, deeply and obscurely moving his audience with language that has ceased to mean, but nonetheless lingers hauntingly in the mind. Obsessed with the relationship between words and music for reasons of his own, including his father's profession as a composer, Milton would adopt, adapt, and finally reject Shakespeare's form of musical poetics in his own quest to 'join the angel choir.' Offering a new way of looking at the work of two major authors, this study engages and challenges scholars of Shakespeare, Milton, and early modern culture.
This Will End in Tears by Adam Brent Houghtaling Summary
Sad music moves us like nothing else, and despite its gloomy nature it also has the curious power to make us happy. In This Will End in Tears: The Miserabilist Guide to Music, author Adam Brent Houghtaling explains why, while offering up a compendium of history's masters of melancholy and the greatest sad songs of all time, featuring artists across genres and through time—from torch songs to country weepers to emo classics. Loaded with recommended playlists and insights into our favorite sob songs, This Will End in Tears is a fascinating immersion into the "miserabilist" genre, a musical marker with increasing resonance.
Song of the Caiman by Cacike Waganche,Behike Taxis Summary
Song of the CaimanSpiritual Beliefs of the CiBoNey Peoples "Connect with the ancestors and there Florida and Caribbean descendents" For more information please contact: Ciboney Tribe of Florida www.ciboneytribe.org [email protected]
The Song of Sylvania Square by Georgette Beck Summary
Long years before the rise of the huge state lotteries, there existed the highly illegal back-room betting parlors, some operations so small as to be virtually invisible, and often operated by victims of a Depression-era economy. Lay a dime on your lucky number, pal, and hit for sixty bucks . . . . pay the rent with it or feed the family for a month! . . . . or put it right back in the bookies pockets.
And They All Sang by Studs Terkel Summary
The Pulitzer Prize–winning historian talks with some of twentieth century’s most iconic musicians—“Riveting . . . Just about every interview has a revelation” (San Francisco Chronicle). Through the second half of the twentieth century, Studs Terkel hosted the legendary radio show “The Wax Museum,” presenting Chicago’s music fans with his inimitable take on music of all kinds, from classical, opera, and jazz to gospel, blues, folk, and rock. Featuring more than forty of Terkel’s conversations with some of the greatest musicians of the past century, And They All Sang is “a tribute to music’s universality and power” (Philadelphia Inquirer). Included here are fascinating conversations with Louis Armstrong, Leonard Bernstein, Big Bill Broonzy, Bob Dylan, Dizzy Gillespie, Mahalia Jackson, Janis Joplin, Rosa Raisa, Pete Seeger, and many others. As the esteemed music critic Anthony DeCurtis wrote in the Chicago Tribune, “the terms ‘interview’ or ‘oral history’ don’t begin to do justice to what Terkel achieves in these conversations, which are at once wildly ambitious and as casual as can be.” Whether discussing Enrico Caruso’s nervousness on stage with opera diva Edith Mason or the Beatles’ 1966 encounter in London with revered Indian sitar player Ravi Shankar, “Terkel’s singular gift for bringing his subjects to life in their own words should strike a chord with any music fan old enough to have replaced a worn-out record needle” (The New York Times). “Whether diva or dustbowl balladeer, Studs treats them all alike, with deep knowledge and an intimate, conversational approach . . . as this often remarkable book shows, Studs Terkel has remained mesmerized by great music throughout his life.” —The Guardian “[Terkel’s] expertise is evident on every page, whether debating the harmonic structure of the spirituals or discerning the subtleties of Keith Jarrett’s piano technique . . . As ever, he is the most skillful of interviewers.” —The Independent “What makes And They All Sang a rousing success isn’t just Terkel’s phenomenal range and broad knowledge, it’s his passionate love of the music and his deep humanity.” —San FranciscoChronicle
Reiki by Karyn K. Mitchell Summary
A spiritual and teaching text for Reiki. Photos and charts include: Reiki Boost, Hand Placements for humans and animals, Reiki Sharing, the metabolic path, Ki Flow Chart, Healing Release, Frequency Change, and Chakras. Includes: the history of Reiki and its philosophy, Bridge of Light, Spinning Chakras, Healing Techniques, Meditations, and class instruction for each level of Reiki. A Reiki reference manual.
Tully by Paullina Simons Summary
The astonishing debut novel from international number one bestselling author Paullina Simons, beautifully repackaged Tully Makker is a tough young woman from the wrong side of the tracks and she is not always easy to like. But if Tully gives friendship and loyalty, she gives them for good, and she forms an enduring bond with Jennifer and Julie, school friends from very different backgrounds. As they grow into the world of the seventies and eighties, the lives of the three best friends are changed forever by two young men, Robin and Jack, and a tragedy which engulfs them all. Against the odds, Tully emerges into young womanhood, marriage and a career. At last Tully Makker has life under control. And then life strikes back in the most unexpected way of all...
Songs in the Night by Charles H. Spurgeon Summary
“Songs in the Night” is a poetic phrase from Job 35:10 which describes God’s strength given to believers to sing and praise God while in affliction. Spurgeon describes the origin of the songs, the content of the songs, the different qualities of the songs, and how God might use the songs. Spurgeon exhorts us “to carry a smile, for you will cheer up many a poor, wayward pilgrim by it.” This is the complete version of this very popular sermon and was updated to modern language.