Complete Kak! by Tim Richman,Grant Schreiber Summary
An all-encompassing commentary, this collection is the final word on everything that aggravates and annoys South Africans everywhere. Through humorous and sardonic writing, it discusses a variety of topics, from the African National Congress and Jacob Zuma to Afrikaans music and South African drivers. While highlighting the vexations, this expanded edition offers an insightful and entertaining overview of South African life.
Dostoevsky's Idiot by Bruce A. French Summary
Prince Myshkin is one of Dostoevsky's most perplexing creations. In this study, Bruce A. French presents a provocative interpretation of the religious dimension of Myshkin's goodness from a Bakhtinian perspective. In three chapters, French takes up in turn the narrator and narrative points of view, the author's use of inserted narratives, and three modes of interaction French calls Monologue, Dialogue, and Dialogical Living.
Some of My Best Friends are White by Ndumiso Ngcobo Summary
Some of my best friends are white is a collection of sharp, satirical essays on contemporary South African issues from the point of view of a successful corporate professional - who just happens to be Zulu. Crossing various controversial, amusing and downright confusing racial divides, the title delivers a healthy dose of black - and white - humour as it explores some of the rainbow nation's defining characteristics, its many colourful characters and its myriad mysterious idiosyncrasies.
Battle on the Lomba 1987 by David Mannall Summary
The climactic death-throes of Soviet Communism during the 1980s included a last-gasp attempt at strategic franchise expansion in Southern Africa. Channeled through Castro's Cuba, oil-rich Angolan armed forces (FAPLA) received billions of dollars of advanced weaponry including MiG 23 and Sukhoi fighter jets, SAM 8 missile systems and thousands of armored vehicles. Their intent - to eradicate the US-backed Angolan opposition (UNITA), then push southwards into South Africa's protectorate SWA/Namibia, ostensibly as liberators. 1985 saw the first large-scale mechanized offensive in Southern African history. Russian Generals planned and oversaw the offensive but without properly accounting for the tenacity of UNITA (supported by the South African Defense Forces - SADF) or the treacherous terrain typical in the rainy season. The '85 offensive floundered in the mud and FAPLA returned to their capital Luanda. The South Africans stood down, confident their 'covert' support for UNITA had demonstrated the folly of prosecuting war so far from home against Africa's military Superpower. The South Africans were mistaken. Fidel and FAPLA immediately redoubled their efforts, strengthening fifteen battalions with even more Soviet hardware while Russian and Cuban specialists oversaw troop training. As Cuban and Angola fighter pilots honed their skills over the skies of Northern Angola, David Mannall, a normal 17-year old kid completing High School, was preparing for two years of compulsory military service before beginning Tertiary education. Through a series of fateful twists he found himself leading soldiers in a number of full-scale armored clashes including the largest and most decisive battle on African soil since World War II. This is the David and Goliath story that, due to seismic political changes in the region, has never been truthfully told. The author lifts the hatch on his story of how Charlie Squadron, comprising just twelve 90mm AFVs crewed by 36 national servicemen, as part of the elite 61 Mechanized Battalion, engaged and effectively annihilated the giant FAPLA 47th Armored Brigade in one day - 3 October 1987. Their 90mm cannons were never designed as tank-killers but any assurances that it would never be used against heavy armor were left in the classroom during the three-month operation and never more starkly than the decisive 'Battle on The Lomba River'. The Communist-backed offensive died that day along with hundreds of opposition fighters. 47th Brigade survivors abandoned their remaining equipment, fleeing north across the Lomba, eventually joining the 59th Brigade in what became a full-scale retreat of over ten thousand soldiers to Cuito Cuanevale. ## The myth perpetuated by post-apartheid politicians goes something like this "…the SADF force that destroyed 47th Brigade on 3 October numbered 6,000 men and that all the hard yards were run by the long suffering UNITA!" The inconvenient truth is that there were just 36 South African boys on the frontline that day, but it is also true to say they would never have achieved such a stunning victory without the support of many more. This is their story.
Narrative and Anti-narrative Structures in Lev Tolstoj's Early Works by Eric de Haard Summary
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New Beginnings by Khairun Atika Kamsan Summary
A wedding could be a happy ending for some or simply a new beginning for others. While celebrating their cousin’s wedding, sisters Julia and Alisa encounters two different men who are about to turn their worlds upside down. Julia finds herself instantly attracted to accomplished young law graduate Bazli Sulaiman, while Alisa finds herself instantly repulsed by his best friend and superior, Gadafi Wahid. While Bazli courts Julia, Alisa and Gadafi find themselves reluctant chaperones, forced to get to know each other despite their initial dislike toward each other. In this modern reimagining of Jane Austen’s beloved novel, Pride and Prejudice, two sisters learn the true meaning of moving forward and that while chasing their own happy endings, they are learning to create new beginnings as well.
Eugene Onegin by Александр Сергеевич Пушкин,Henry M. Hoyt Summary
Eugene Onegin, a "novel in verse," as announced by its subtitle, and Russia's best-loved classic, was written by Alexander Pushkin, that country's unsurpassed literary idol. Yet the American reading public generally attributes its authorship to Tchaikovsky, who composed the score and co-authored the libretto of its operatic adaptation. Henry Hoyt, translator for this bilingual edition, suggests that this misunderstanding may stem from other translations' having been cast in a mold ill-fitted to capture both the spirit and meaning of the original. Most of the translations follow the complicated rhyme and meter scheme of the original, where the invention of new rhymes for the translated version forces the translator to abandon verbal fidelity to the original. The other translations are in prose, lacking the rhythm and hence much of the spirit of the original. Mr. Hoyt's translation is unrhymed, but retains the meter of Pushkin's verses, a procedure under which he believes verbal fidelity is attainable along with rhythm, affording the English-speaking reader an experience as close as possible to that of a Russian-speaking reader of the original. This publication includes an appendix describing the Cyrillic alphabet for readers unfamiliar with it but interested in examining the original text.
Just enough by Mira Lee Manickam Summary
Just Enough travels inside the conflict zone of Thailand’s southernmost provinces and gets under the surface of traditional Malay Muslim culture. Mira Lee Manickam, an adventurous American researcher, takes us with her as she settles into a small fishing village in troubled Pattani Province. Stepping uncertainly into this deeply traditional world, she gains privileged access to a side of Malay Muslim society rarely seen by outsiders and obscured by the violence featured in Thai newspapers. In a style that is humorous, honest, and moving, Manickam charts the southern Thai conflict through her travels in the region and tells the stories of her friends in the village: a gang of wild-haired teenage boys who observe conservative religious protocol by day and listen to heavy metal in back-street teashops by night; a group of young women too educated to find husbands in the village but too traditional to leave; an impoverished fisherman with a Zen-like stance on impermanence; and a dropout who immerses himself in Western culture as a star rock-climber in a nearby beach resort. These stories illustrate the tension between the values of a traditional Malay Muslim community and the demands of an increasingly modern Thai society. Just Enough is a personal journey of growth, loss, and friendship, and reveals the colors of daily life that lie beneath the black and white of newspaper headlines. What others are saying “The author offers an informed and engaged perspective on the impact of the hundred-year-old conflict in southern Thailand. It focuses on the lives of the common people in the areas of education, economy, and religious development, and their effect on the present and the future of the country. In a warm, affectionate style it highlights the cultural diversities in Thailand as a whole and also in its widespread Muslim community.” —Dr. Imtiyaz Yusuf, Assumption University, Bangkok Highlights - Explores an often forgotten side of the southern Thai conflict - Describes the lives of Malay Muslim villagers with humor, warmth, and depth - Gives readers an insight into the people left behind by Thailand’s modernization - Includes sixteen black and white photographs
Le principat d’Auguste by Frédéric Hurlet Summary
À la suite de la bataille d’Actium, Auguste est parvenu à fonder un régime politique durable, communément appelé principat, dont la nature continue à faire débat. L’apparition au début des années 20 av. J.-C. du thème de la Res publica restituta, à la fois slogan et programme politique qui faisaient d’Auguste le restaurateur de l’État romain, n’est pas le moindre des paradoxes. Si l’historiographie reste sensible aux ruptures qui résultaient de la mainmise sur l’État d’un seul homme et de sa famille, il y a place également pour une étude des continuités que le nouveau régime n’a cessé de mettre en avant à ses débuts. Les organisateurs du colloque de Nantes, Fr. Hurlet et B. Mineo, ont rassemblé une équipe internationale d’une vingtaine de chercheurs pour susciter un échange de points de vue sur le sujet entre littéraires, historiens, historiens de l’art et archéologues. Les auteurs augustéens – historien comme Tite-Live, poètes comme Virgile, Horace ou Ovide – ont été l’objet d’une attention particulière à travers l’étude de leur perception du nouveau régime et de la nature de leurs relations avec le prince ; l’enquête a été étendue aux auteurs postérieurs à Auguste qui ont traité de la naissance du principat (Tacite et Dion Cassius). Les épigraphistes et les numismates ont analysé la manière dont le nouveau régime cherchait à se présenter sur les inscriptions et les monnaies afin de mieux saisir toutes les subtilités du discours officiel. La mise en forme des pouvoirs impériaux et l’attitude de l’aristocratie au moment de la mise en place du principat ont fait également l’objet d’études spécifiques. Ont été prises en compte les images liées au nouveau pouvoir – monuments, demeure d’Auguste sur le Palatin, statues, reliefs, cérémonies religieuses – comme support matériel de l’idéologie impériale. Un tel faisceau de points de vue permet de mieux se représenter dans toute leur complexité les fondements du principat augustéen à sa naissance.