Madame Bovary: A Play in Three Acts

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Madame Bovary: A Play in Three Acts by Gaston Baty,Gustave Flaubert Summary

Based on the classic novel by Gustave Flaubert, Madame Bovary tells the tale of Emma Bovary, who is romantic by nature, and believes herself the equal of the heroines depicted in the romantic novels she reads. When she moves to a rural town in France, she finds herself utterly bored by country and small-town life. Although her husband is a good man, Emma has no respect for him. Eventually she takes a lover, and wants him to give up everything for her, so they can run away together--but he fails to appear on the day set for their elopement. She then finds solace in the arms of a third man, but when this affair also collapses, she has nothing left to live for. A great tragedy of French life and customs, effectively dramatized by Gaston Baty!

Catalog of Copyright Entries

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Catalog of Copyright Entries by Library of Congress. Copyright Office Summary

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Catalog of Copyright Entries, Third Series

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Catalog of Copyright Entries, Third Series by Library of Congress. Copyright Office Summary

The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).

Madame Bovary

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Madame Bovary by Gustave Flaubert Summary

A powerful nineteenth-century French classic depicting the moral degeneration of a weak-willed woman

Catalog of Copyright Entries

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Catalog of Copyright Entries by Library of Congress. Copyright Office Summary

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The Candidate a Humorous Political Drama in Four Acts

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The Candidate a Humorous Political Drama in Four Acts by Gustave Flaubert Summary

1904. Four-act play from Flaubert, a French novelist of the realist school, best-known for his story of Madame Bovary. See other titles by this author available from Kessinger Publishing.

Dramas and Works Prepared for Oral Delivery

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Dramas and Works Prepared for Oral Delivery by N.A Summary

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Opening Acts

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Opening Acts by Judith Hamera Summary

Opening Acts: Performance in/as Communication and Cultural Criticism offers new, rigorous ways to analyze communication and culture through performance. Editor Judith Hamera, along with a distinguished list of contributors, provides students with cutting-edge readings of everyday life, space, history, and intersections of all three, using a critical performance-based approach. This text makes three significant contributions to the field - it familiarizes readers with the core elements and commitments of performance-based analysis, links performance-based analysis to theoretical and analytical perspectives in communication and cultural studies, and provides engaging examples of how to use performance as a critical tool to open up communication and culture. offers new, rigorous ways to analyze communication and culture through performance. Editor Judith Hamera, along with a distinguished list of contributors, provides students with cutting-edge readings of everyday life, space, history, and intersections of all three, using a critical performance-based approach. This text makes three significant contributions to the field - it familiarizes readers with the core elements and commitments of performance-based analysis, links performance-based analysis to theoretical and analytical perspectives in communication and cultural studies, and provides engaging examples of how to use performance as a critical tool to open up communication and culture.

Modern France

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Modern France by Arthur Augustus Tilley Summary

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Contemporary Authors: 1945 to the Present

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Contemporary Authors: 1945 to the Present by Britannica Educational Publishing Summary

Contemporary literature encompasses so many genres, literary forms, and themes that it would seem almost impossible to identify a unifying thread between them. Yet in the tradition established by literary heavyweights who came before, modern writers of all stripes and backgrounds have continued to entertain and to confront the social, cultural, and psychological realities of the times—including everything from racial identity to war to technology—with their own flair and insight. The diversity of authors profiled herein—from Toni Morrison to Sylvia Plath to Stephen King to David Foster Wallace—attests to the scope and complexity of modern society.

Variety Radio Directory

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Variety Radio Directory by N.A Summary

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The Moonshot Tape ; And, A Poster of the Cosmos

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The Moonshot Tape ; And, A Poster of the Cosmos by Lanford Wilson Summary

THE STORIES: THE MOONSHOT TAPE. Having come home to visit her mother, who has been placed in a nursing home, Diane, now a well-known writer, is being interviewed for the local newspaper. Only she speaks. Her remarks are in answer to such questions

Catalog of Copyright Entries. Third Series

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Catalog of Copyright Entries. Third Series by Library of Congress. Copyright Office Summary

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One Act Play Magazine and Radio-drama Review

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One Act Play Magazine and Radio-drama Review by N.A Summary

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London Theatre Record

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London Theatre Record by N.A Summary

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The Plays of Benn Levy

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The Plays of Benn Levy by Susan Rusinko Summary

A dramatist divided in his life between politics and the theatre, Benn Levy (1900-1973) is the author of more than twenty witty, literate comedies and dramas that span the middle of the twentieth century and are a mirror of the age. In The Plays of Benn Levy, Susan Rusinko arranges the plays chronologically, analyzing them in the context of contemporary dramatists and the influences that shaped their writing - in Levy's case, most notably George Bernard Shaw. Levy's plays reflect interests and styles similar to those of more famous contemporaries such as Noel Coward, James Barrie, and Terence Rattigan. In addition to his stage plays, Levy wrote scripts in the early years of cinema, adapted the plays of continental dramatists, collaborated with other dramatists, directed his plays and those of other playwrights, spent time in America where many of his plays were produced, and lived to help repeal in 1968 the detested theatre-licensing bill, a battle he had begun to fight during his term in Parliament in the late 1940s. The theme of Levy's first stage play, This Woman Business (1925), is the Shavian battle of the sexes, an idea that threads its way through most of his plays and culminates in his Giraudoux-like comic adaptation of the Amazonian adventures of Theseus and Heracles (The Rape of the Belt, 1957) and his last play, a realistic problem play (The Member for Gaza, 1966) which, despite its seeming political topicality, echoes with eerie contemporaneity nearly thirty years later. Levy's plays provide a retrospective on the theatrical currents dominating the English (and American) stages during the middle part of the twentieth century, prior to the English stage revolution begun in l956 with John Osbourne's Look Back in Anger. This book intends to put Levy's plays into that perspective.

The New York Times Theatre Reviews 1999-2000

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The New York Times Theatre Reviews 1999-2000 by New York Times Theater Reviews Summary

This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.

Public Library Catalog

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Public Library Catalog by N.A Summary

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Reading for Our Time

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Reading for Our Time by J. Hillis Miller Summary

A masterclass in attentive reading offering brilliant insights into two of George Eliot's novels