Middlemarch by George Eliot Summary
George Eliot’s Middlemarch (1871-72) is one of the classic novels of English literature and was admired by Virginia Woolf as “one of the few English novels written for grown-up people.” The complex main plot and many subplots revolve around Dorothea Brooke, an ardent young woman, and her relationship to three men: Casaubon, a clergyman and scholar twice her age; Lydgate, an ambitious young doctor who shares Dorothea’s enthusiasm for reform but whose flaws compromise his ambitions; and Will Ladislaw, a young man of mysterious origins, romantic temperament, and artistic inclinations. A female Bildungsroman and a study of character and society in the realistic mode pioneered by Balzac, Middlemarch is also an historical novel that offers a panorama of English society in an era of social reform and political agitation. This Broadview edition includes a critical introduction and a rich selection of contextual materials, including contemporary reviews of the novel, other writings by George Eliot (essays, reviews, and criticism), and historical documents pertaining to medical reform, religious freedom, and the advent of the railroads.
Eliot: Middlemarch by Karen Chase,George Eliot Summary
A comprehensive introduction to Middlemarch, offering both general information and an original interpretation. It pays considerable attention to the intellectual and social context surrounding Middlemarch, and situates the work within nineteenth-century traditions of the novel in England and Europe. Karen Chase gives particular emphasis to the Woman Question in Middlemarch.
Middlemarch from Notebook to Novel by Jerome Beaty Summary
This is a study of George Eliot's composition of Middlemarch, how she wrote the novel based on her letters and journals, the notebook she kept while writing the novel, the Middlemarch manuscript, and the corrected proof of the first editions of the book.
Middlemarch in the Twenty-First Century by Karen Chase Summary
Middlemarch is the prime example of George Eliot's dictum that "interpretations are illimitable," and in this collection of new essays Middlemarch is re-examined as an open text responsive to gaps and fissures, and as resistant to authority as it is to other fixed notions of identity, idealism, and gender. What does the novel omit, and how do the omissions shape what is there? How shall we understand the materiality of the text? What problems does it pose to adaptation? The novel's plasticity becomes a basis for investigation into the multiple forms of expressiveness, and a consideration of how we might plot the patterns linguistically, ideologically, even cinematically. New spaces emerge within character, place, and narrative; what seemed absent or inaccessible assumes shape and definition; Middlemarch remains "Victorian" but it is a Victorianism understood through the dual perspectives of the 19th and 21st centuries. Scholars of George Eliot and students of Victorianism will be engaged by the wide-ranging scope of these essays, which nonetheless build on each other to form a coherent narrative of critical reflections. If there is something for everyone in Middlemarch, there is also something compelling about each of the essays in this collection.
My Life in Middlemarch by Rebecca Mead Summary
A New Yorker writer revisits the seminal book of her youth--Middlemarch--and fashions a singular, involving story of how a passionate attachment to a great work of literature can shape our lives and help us to read our own histories. Rebecca Mead was a young woman in an English coastal town when she first read George Eliot's Middlemarch, regarded by many as the greatest English novel. After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described as "one of the few English novels written for grown-up people," offered Mead something that modern life and literature did not. In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads us into the life that the book made for her, as well as the many lives the novel has led since it was written. Employing a structure that deftly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's masterpiece--the complexity of love, the meaning of marriage, the foundations of morality, and the drama of aspiration and failure--and brings them into our world. Offering both a fascinating reading of Eliot's biography and an exploration of the way aspects of Mead's life uncannily echo that of Eliot herself, My Life in Middlemarch is for every ardent lover of literature who cares about why we read books, and how they read us. From the Hardcover edition.
The Writings of George Eliot: Middlemarch, a study of provincial life by George Eliot Summary
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Middlemarch (1871) by George Eliot by George Eliot Summary
Middlemarch, A Study of Provincial Life is a novel by the English author George Eliot (Mary Anne Evans), first published in eight instalments (volumes) in 1871-72. The novel is set in the fictitious Midlands town of Middlemarch during 1829-32, and follows several distinct, intersecting stories with a large cast of characters. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Despite comic elements, Middlemarch is a work of realism encompassing historical events: the 1832 Reform Act, the beginnings of the railways, and the death of King George IV and succession of his brother, the Duke of Clarence (King William IV). It
Middlemarch. Illustrated edition by George Eliot Summary
Mary Anne Evans (this is the real name of the writer) was a woman of educated, talented and creative mind — a kind of English George Sand. The width of her views and deep knowledge are reflected in her books. The most recognized masterpiece of the literary heritage of the writer was her novel "Middlemarch". Eliot showed how a powerful aspiration for good can destroy a hidden weakness; how the complexity of the character negates noble impulses and how moral rebirths comprehend people who were not bad at first.